On Watching and Being Seen, Northern Illinois University Art Museum, DeKalb, Illinois. Held both at 6 Burlington Gardens and on the gallery’s digital platform, Bloom will be presented from 10 September to 10 November 2020 and explores Paglen’s central themes of artificial intelligence, the politics of images, facial recognition technologies, and alternative futures. The exhibition follows Paglen’s installation From ‘Apple’ to ‘Anomaly’, presented at the Barbican Curve from September 2019 to February 2020 and Training Humans, an exhibition of Paglen’s works with Kate Crawford presented at the Prada Foundation, Milan from September 2019 to February 2020. Catastrophe? These simple truths resonate through Trevor Paglen’s works. Fractured Narratives: A Strategy to Engage, Cornell Fine Arts Museum, Rollins College, Winter Park, Florida. Crimes of Omission, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania. Online participants can observe visitors experiencing the work in person and can be “present” in the space by streaming their personal webcams on monitors displayed within the exhibition. By using this site, you consent to our use of cookies. Tom Seymour. By using this site, you consent to our use of cookies. Computing systems that collect, interpret, and operationalize data that defines and tracks identity, movement, and habits fuel Paglen’s broad practice. Ministry of Truth, Boers-Li Gallery, Beijing. Trevor Paglen at Pace Gallery. (Catalogue), Trevor Paglen: From ‘Apple’ to ‘Anomaly,’ (Pictures and Labels) Selections from the ImageNet dataset for object recognition, The Curve, Barbican Centre, London, September 26, 2019–February 16, 2020. Pictures and details of Trevor Paglen: Bloom at Pace, Burlington Gardens, London, September 10 - November 10, 2020 - Contemporary art with installation views Trevor Paglen: Bloom +44 20 3206 7600 Open: temporary closure But after Covid-19 remade the world, the show had to change. Trevor Paglen, California College of Arts and Crafts, San Francisco. A New Ballardian Vision, Metro Pictures, New York. Conceived from the average measurements of the faces Bledsoe experimented with, Paglen reconstructed the “standard head” from rare information left behind in Bledsoe’s archives at the University of Texas. Entangled Realities: Living with Artificial Intelligence, Haus der elektronischen Künste Basel. Kabir Jhala and . Paglen's complex and pioneering work examines the systems and technologies that shape society. #1: Cartagena Biennial, Cartagena de Indias, Colombia. Art in the Age of Truthiness, SITE Santa Fe. Trevor Paglen: Surveillance States, Prefix Institute of Contemporary Art, Toronto, May 4–June 16, 2018. The Sun Placed in the Abyss, Columbus Museum of Art, Ohio. A computer functions on far more than a click of a few buttons. This is Pace’s second exhibition with the artist. Art, Surveillance, and Privacy, Real Art Ways, Hartford, Connecticut. Trevor Paglen: Unhuman, Altman Siegel, San Francisco, February 10–April 2, 2011. Traveled to: Museum of Art, Architecture and Technology, Lisbon. Version 2.0, Museum of Contemporary Art, Chicago. The Image of War, Bonniers Konsthall, Stockholm. Courtesy Trevor Paglen and Pace Gallery In his “CLOUD” series (2019), Paglen uses algorithms to analyze transcendental photos of the sky; he has continued exploring this technique … Dataesthetics Reloaded, Galerija Nova, Zagreb, Croatia. Collaboration with Greg Niemeyer, Mills College Art Museum, Oakland, California. Trevor Paglen: The Octopus, Frankfurter Kunstverein, Germany, June 20–August 30, 2015. They Used to Call it the Moon, Baltic Centre for Contemporary Art, Newcastle, United Kingdom. Trevor Paglen: Geographies of Seeing, Brighton Photo Biennial, Lighthouse, England, October 6–November 4, 2012. 26-3/4" × 20-1/4" × 1-1/2" (67.9 cm × 51.4 cm × 3.8 cm), framed, 22" × 18" (55.9 cm × 45.7 cm) Everything is Connected: Art and Conspiracy, The Met Breuer, New York. Installation view from Jean Dubuffet's 1969 exhibition at Pace Gallery, Simulacres. Close Encounters 2: Acts of Social Imagination, Nathan Cummings Foundation, New York. This simplification … 18th September 2020 16:58 GMT. Traveled to: Huarte Centro de Arte Contemporáneo, Spain and the Canzani Center Gallery, Columbus College of Art & Design, Ohio. Dystopische Landschaft, Kunstraum Muenchen, Munich. Whereas these attempts at housing artworks on online platforms have mostly taken the form of online viewing rooms, Trevor Paglen’s new show at London’s Pace gallery not only offers a novel take on the format, but casts a sceptical glance over the wider technologies that have become so pervasive in our everyday lives, particularly in 2020. Trevor Paglen, Bellwether Gallery, New York. Kate Crawford | Trevor Paglen: Training Humans, Osservatorio Fondazione Prada, Milan. Trevor Paglen, says: “It is wonderful to be joining Pace at this exciting moment in its evolution. Secret Satellites, Belfast Exposed, Ireland. Walls Turned Sideways, Contemporary Arts Museum Houston. Trevor Paglen: Bloom, Pace Gallery, 6 Burlington Gardens, London, September 10–November 10, 2020. Im Zweifel für den Zweifel, NRW Forum Wirtschaft und Kultur, Düsseldorf, Germany. A moment in which we’ve spent much of the year huddled at home with social communications reduced to awkward interactions on technological platforms designed to extract as … 2002, School of the Art Institute of Chicago, M.F.A. Schritte ins Verborgene = Steps into the arcane, Kunstmuseum Thrugau, Warth, Switzerland. Trevor Paglen: Deep State, Kunsthalle Winterthur, Switzerland, May 28–July 9, 2017. Trevor Paglen, Galerie Thomas Zander, Cologne, September 06–November 02, 2013. Available for sale from Pace Gallery, Trevor Paglen, The Model (Personality) (2020), Silver-plated bronze, 18.4 × 18.1 × 13.7 cm Nina Beier, Judith Hopf, John Miller, Trevor Paglen, Halsey McKey Gallery, East Hampton, New York. Time/Image, Blaffer Art Museum, University of Houston. Among his chief concerns are learning how to see the historical moment we live in and developing the means to imagine alternative futures. Held both at 6 Burlington Gardens and on the gallery’s digital platform, Bloom explores Paglen’s central themes of artificial intelligence, the politics of images, facial recognition technologies, and alternative futures. 61-1/8" × 61-1/8" × 2-3/8" (155.3 cm × 155.3 cm × 6 cm), framed, 18" × 18" (45.7 cm × 45.7 cm) When Facts Don’t Matter, Lismore Castle Arts, Waterford, Ireland. Red Thread, TANAS - Space for Contemporary Turkish Art, Berlin. The clandestine and the hidden are revealed in series such as The Black Sites, The Other Night Sky, and Limit Telephotography in which the limits of vision are explored through the histories of landscape photography, abstraction, Romanticism, and technology. The website gave you … In September 2020, Pace Gallery in London held an exhibition of Trevor Paglen's work, exploring 'the weird, partial ways computers look back at us'. ImageNet Roulette is an interactive artwork that classifies people’s digitally-captured portraits according to one of the most widely-used datasets used for training and evaluating computer vision systems. Thought Crimes: The Art of Subversion, Diverse Works, Houston. Trevor Paglen: Bloom, Pace Gallery, 6 Burlington Gardens, London, September 10–November 10, 2020. 6 Billion Perps Held Hostage! Held both at 6 Burlington Gardens and on the gallery’s digital platform, Bloom is being presented from 10 September to 10 November 2020 and explores Paglen’s central themes of artificial intelligence, the politics of images, facial recognition technologies, and alternative futures. Weather Permitting, 9th Bienal do Mercosul, Porto Alegre, Brazil. Trevor Paglen: Bloom (#9b746d), 2020, dye sublimation print, 40½ by 54 inches. In February this year, Trevor Paglen thought he had finished preparing his exhibition, Bloom, showing at Pace Gallery in London (10 September–10 November 2020). (Postponed), Uncanny Valley: Being Human in he Age of AI, de Young Museum, San Francisco, February 22, 2020–26, 2021. Sterne, Lentos Kunstmuseum Linz, Austria. Nous ne notons pas les fleurs, dit le géographe, Bétonsalon - Centre d'art et de recherche, Paris. Vivid renderings of blossoming flowers, which compose a centrepiece of the show alongside sculptures, drawings and digital components, may lead one to think otherwise, but that would be wrong. Started in Secret: The Art of the Mysterious, Kunstmuseum Kantons Thurgau, Switzerland. Sebald Variations, Centre de Cultura Contemporània de Barcelona. Polyphonic Worlds: Justice as Medium, Contour Biennale 8, Nona Arts Centre, Mechelen, Belgium. Art in the Age of the Internet, 1989 to Today, Institute of Contemporary Art, Boston. Trevor Paglen, Altman Siegel, San Francisco, March 5–May 2, 2015. A Universe We Can Believe In, Oliver Art Center, California College of the Arts, Oakland. It could be you, at home, clicking on the website for Octopus (2020), the installation project by Trevor Paglen that allowed the stay-at-homes, the voyeurs, the disabled, the bored, the ill, the curious – anyone online – to look in on Bloom, Paglen’s exhibition at the Pace Gallery in London, which ran from September until the latest lockdown forced it to close prematurely this month. Pace London is pleased to return to its physical space with an exhibition of new works by American artist Trevor Paglen. Trevor Paglen was born in 1974 in Maryland, and his wide-ranging work includes sculpture, journalism, and engineering as well as image-making. Trevor Paglen: Inaugural Exhibition Solo Show, Officine Grandi Riparazioni, Turin, March 12–May 31, 2020. Unnamed Design, 4th Gwangju Design Biennale, South Korea. New Order: Art and Technology in the Twenty-First Century, Museum of Modern Art, New York. La livraison est disponible en tout temps | Nous joindre; Panier 0 produit Un saber realmente útil, Museo Reina Sofia, Madrid. Called ImageNet, the dataset is used to teach artificial intelligence systems how to classify images, and was developed at Princeton and Stanford Universities in 2009. Pace is a leading contemporary art gallery representing the most significant artists and estate of the 20th and 21st centuries. Dallas Contemporary Presents "Paolo Roversi: Birds", Sam Gilliam's Latest: A Roundtable Conversation, Barbican Presents "Jean Dubuffet: Brutal Beauty", Elmgreen & Dragset's "The Hive" at the Moynihan Train Hall, 48" × 60" (121.9 cm × 152.4 cm), Edition 4 of 5 + 2 APs, 69" × 92" (175.3 cm × 233.7 cm) Trevor Paglen (b. Upon closer inspection, the colours separate, and individual lines of text pulled from email spam emerge from their abstraction. Radical Landscapes, The di Rosa Museum, Napa, California. Kristen Knupp interviewed American artist Trevor Paglen at Pace Gallery, Geneva, for his exhibition “The Shape of Clouds” which opened on September 3, 2019. Artes Mundi 8, National Museum Cardiff, Wales. Pace Gallery’s second exhibition with Trevor Paglen coincides with two solo exhibitions presented at The Carnegie Museum of Art, Pittsburgh (4th September 2020 – 14th March 2021) and at OGR Turin (10th October 2020 – 10th January 2021). Spectacle & Scaffolding: Contemporary Photography Muses Hierarchy, Turchin Center for the. Trevor Paglen: Autonomy Cube, Tensta Konsthall, Spånga, Sweden, February 1–May 7, 2017. Anytime Anywhere Everything, Galerie Sprüth Magers, Berlin. Trevor Paglen présente douze photographies à la Pace Gallery, The Shape of Clouds. Image Counter Image, Haus der Kunst, Munich. This website uses cookies to offer you a better browsing experience. Extra States: Nations in Liquidation, Kunsthal Extra City, Antwerp. Traveled to: Museum of Contemporary Art San Diego, February 21, 2019–June 2, 2019. Visual Arts, Appalachian State University, Boone, North Carolina. Employing a variety of disciplines throughout his oeuvre, from investigative journalism to scientific research, the exhibition will feature new sculptures, photographs, drawings and digital components that relate to corporate and state use of machine learning algorithms to monitor, extract value, and influence people’s lives. How Much Fascism?, BAK basis voor actuele kunst, Utrecht, Netherlands. A former prison-rights activist, Paglen's photographs often depict classified military activity. Share; Tweet; Advertisement. By trying to critically resolve the technology, the artist tends to speak about humanity in a philosophically and poetically inclined manner. The project is a provocation, acting as a window into some of the racist, misogynistic, cruel, non-scientific, controversial, and simply absurd categorisations embedded within ImageNet and other training sets that AI models are built upon. Bloom (#5f5554), Trevor Paglen, 2020, c/o Pace Gallery Art gallery behemoth Pace will host Trevor Paglen in London this September, with a new exhibition entitled Bloom. California Invitational, Museum of Photographic Arts, San Diego. coincides with two solo exhibitions presented at The Carnegie Museum of Art, Pittsburgh (Sep 4, 2020 – Mar 14, 2021) and at OGR Turin (Oct 10, 2020 – Jan 10, 2021). This website uses cookies to offer you a better browsing experience. The Big Nothing: A Void, Philadelphia Institute of Contemporary Art, Pennsylvania. Trevor Paglen: The Genres, Eli and Edythe Broad Art Museum, Michigan State University, East Lansing, March 25–September 27, 2015. The system that is in place is highly complex, but it has been simplified in order for the everyday person to use. Dialoguing with The Standard Head is The Model (Personality), a plated bronze phrenology skull derived from the current categories that are used in predictive policing and sentencing algorithms that intend to gauge someone’s level of criminality by measuring their psychological attributes and behaviours. Pace will work in cooperation with Paglen’s American galleries, Metro Pictures, New York, and Altman Siegel, San Francisco, together offering a comprehensive global network through which to maximize exhibition opportunities and exposure for Paglen’s … (catalogue). In the Private Eye, ISE Cultural Foundation, New York. Marc Glimcher, CEO of Pace, today announced that New York and Berlin-based American artist Trevor Paglen has joined the gallery’s roster of leading international contemporary artists. 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